Enhanced Audio Head Phone Hilton Hotel Jon Hammond at The B3 Organ
*WATCH THE MOVIE HERE: Head Phone Hilton Hotel
Jon’s archive https://archive.org/details/HeadPhoneHiltonHotel
Enhanced Audio – NAMM Show Special: Jon Hammond Band plays Jon’s funk composition “Head Phone” at the Anaheim Hilton Hotel with Bernard Purdie drums, Koei Tanaka chromatic harmonica, Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond at the Hammond B3 http://www.HammondCast.com ©JON HAMMOND International
The Legendary Charlie Daniels Band, Country Rocker Craig Wayne Boyd and Full Line-up of Artists
to take over Summer NAMM
CARLSBAD, Calif. – June 9, 2016 – Summer NAMM, the industry’s largest and most vibrant music products tradeshow returns to Nashville’s Music City Center June 23-25 for its biggest year yet. This year’s show will feature new and returning attendees from among the top brands in musical instruments, gear, technologies and accessories, and will include a robust line-up of artists who will perform all three days of the annual gathering.
Thursday, the first day of the show will end on a high note with a one-of-a kind performance from multi-instrumentalist, storyteller and living legend, Charlie Daniels. The Charlie Daniels Band is best known for their hits “The Devil Went Down to Georgia” and “The South’s Gonna Do It Again” among many others over the span of their 50+ year career. Daniels and band will treat Summer NAMM attendees to a memorable performance on the NAMM Nissan Terrace Stage starting at 6:00 p.m.
On Saturday at 1:00 p.m., the Terrace stage will welcome Texas-born and raised country singer and multi-instrumentalist, Craig Wayne Boyd. Boyd first came to prominence as the winner of the seventh season of The Voice (2014), where his singing voice, playing, and easy musical versatility made him a fan favorite on the show.
Saturday also welcomes the 33rd Annual American Eagle Awards. This year’s honorees include Vince Gill, Emmylou Harris and the Grand Ole Opry. The American Eagle Awards honor individuals that have made significant contributions to the music in America. The awards are produced by the National American Music Council in cooperation with NAMM, and will be open to all Summer NAMM badge holders.
Each day of the Summer NAMM Show, the NAMM Nissan Terrace Stage will present live music beginning at 10:00 a.m. with an exciting lineup of artists with a variety of musical styles. Thursday’s lineup includes soul/rock artist Paul Childers, country singer Lauren Alexander, and acoustic double neck guitarist Ian Ethan Case, among others. On Friday, the dynamic duo and fingerstylings of the Constable Sisters, singer/songwriter Josh Farrow, country act Brian Rhea, and more will provide for an entertaining day of live music. Saturday’s acts include guitarist Jeff Radford and pop/country duo the Truman Brothers, as well as other talented acts.
NAMM Nissan Stage Schedule
(All acts and times subject to change)
Thursday, June 23
10:00a.m. Summer Pittman (http://soundcloud.com/summerpittman/stranger)
11:00a.m. Laura B. Whitmore (www.laurabwhitmore.com)
12:00p.m. Paul Childers (http://paulchilders.com)
1:00p.m. Lauren Alexander (www.laurenalexander.com)
2:00p.m. Ian Ethan Case (www.ianethan.com)
3:00p.m. The Depth and the Whisper (www.thedepthandthewhisper.com)
4:00p.m. James Robert Webb (http://www.jamesrobertwebb.com)
6:00p.m. The Charlie Daniels Band (www.charliedaniels.com)
Friday, June 24
10:00a.m. Constable Sisters
11:00a.m. Sally and George (www.sallyandgeorge.com)
12:00p.m. Josh Farrow Presented by Lightning 100 (www.joshfarrow.com)
1:00p.m. Olivia Henken (http://oliviacountry.com)
2:00p.m. Jon Hammond Funk Unit (http://www.jonhammondband.com)
3:00p.m. Bobby Long (www.musicbobbylong.com)
4:00p.m. Taylor Tote Band (www.taylortote.com)
5:00p.m. Brian Rhea (www.brianpaulrhea.com)
Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA
by Holda Paoletti-kampl
Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt
Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse
Accordion Radio News http://accordionradio.com/news.html
Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA
by Holda Paoletti-Kampl
Jon Hammond’s Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.
The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).
Jon Hammond wrote:
“Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ – both Joe and myself are officially from New York City, although I am also in California a lot – I’m still a New Yorker!
There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.
Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.
Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded.”
AFM Local 6 Member Profile JON HAMMOND: “WHERE’S THE GIG?” — by ALEX WALSH
Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.
THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”
“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”
Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”
In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”
Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”
Jon in the early 70s
Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”
When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”
In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.
The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.
Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond
n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”
Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”
In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”
Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”
Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.
In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”
Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”
Jon has released four CDs
Jon Hammond at Summer NAMM in Nashville Music City Center
Jon Hammond’s KALX Photos – 90.7 FM
Jon Hammond’s KALX photos in the historic studios of UC Berkeley’s radio station that first went on-air in the year of 1962 – broadcasting from the famous ‘cigar box’ transmitter – JH
KALX’s wiki https://en.wikipedia.org/wiki/KALX
KALX (90.7 FM) is an FM radio station that broadcasts from the University of California, Berkeley in Berkeley, California. KALX, a community and student-run radio station licensed to the University of California, Berkeley, broadcasts in stereo with 500 watts of power. The station employs three full-time paid staff members, but is largely run by its nearly 300 volunteers, including Berkeley students and other members of the local community.
City Berkeley, California
Broadcast area San Francisco Bay Area
Frequency 90.7 MHz
Format College radio
ERP 500 watts
HAAT 238 meters
Facility ID 68999
The station originally began broadcasting in 1962, as a carrier current station. By 1966, KALX (then known as Radio KAL, the call letters being derived from Berkeley’s nickname “Cal”) had moved from Berkeley’s dormitories to Dwinelle Hall on campus, and Berkeley administrators began investigating the possibility of applying for a broadcast frequency for the station. KALX received its broadcast license and made its first FM broadcast, with 10 watts of power, in 1967. The studio in the basement of Dwinelle was modest, a small chamber sequestered off from a sizable library of albums.
In the 1970s, KALX was taken off the air for a short period by the faculty oversight Radio Policy Board after the station manager and friends had abused their use of university automobiles for private use and run up large bills for long distance phone calls to their contacts in Los Angeles and elsewhere. After an investigation, the station was put back on the air with new management.
In 1981, the station began a successful fundraising drive to boost its power level to the present-day 500 watts, a level that was reached in 1982.
KALX became the official radio station for the Oakland Athletics just days before the season opener in April 1978. Larry Baer, a junior political science major who was the station’s sports director and business manager, negotiated the agreement with team owner Charlie Finley. The situation was made possible because of the Athletics’ subpar on-field performance and attendance and the uncertainty surrounding Finley’s threats to move the ballclub to Denver. Baer, who would later serve as a San Francisco Giants executive beginning in December 1992, was the play-by-play announcer. Sophomore mass communications major Bob Kozberg and station producer/engineer Steve Blum also worked on the broadcasts.
The arrangement lasted only sixteen games. One month into the season, Finley decided to keep the Athletics in Oakland and awarded the broadcast rights to KNEW. Nonetheless, the setup made the A’s a laughingstock in the Bay Area. At the time, KALX only operated at 10 watts, rendering it practically unlistenable more than 10 miles from Oakland Coliseum. This led one fan to joke about the A’s radio network stretching all the way to Hawaii by asking, “Honolulu? How about here?
KALX offers a diverse range of public affairs programming. KALX offers many kinds of Public Service Announcements throughout its daily broadcast.
KALX has provided a training ground for numerous individuals who have had careers in television and radio. These include Lisa Stark of ABC News, Sarah Wallace, Andrew Reimer, Kristen Sze, Bob Sarlatte, and Robert “Doc” Pelzel.
Marshall Stax host of “Next Big Thing” program spins “Pocket Funk” by Jon
Hammond Band on KALX 90.7 FM – Musicians: Lutz Büchner saxophone,
Ernst-Friedrich Fiete Felsch saxophone, Michael Leuschner trumpet, Joe
Berger guitar, Heinz Lichius drums, Jon Hammond organ http://www.HammondCast.com/
Hosted by Marshall Stax. Every Monday night from 6 pm to 7 pm http://kalx.berkeley.edu/
Facebook video https://www.facebook.com/hammondcast/videos/10153495668612102/
Jon Hammond Funk Unit – Summer NAMM Show Special Nashville Music City Center Nissan Stage
Enhanced Audio, Head Phone, Hilton Hotel, Nashville, #HammondOrgan #NAMMShow #SummerNAMM