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Topics American Federation of Musicians, British Airways, HammondCast, Jazzkeller Frankfurt, KYOU Radio, Local 802, Love
Annual 2010 Musikmesse Warm Up Party in Jazzkeller Frankfurt hosted by Jon Hammond Band
Tony Lakatos tenor sax
Jon Hammond XK-1 organ
Giovanni Gulino drums
Besame Mucho 2010
special thanks Eugen Hahn Jazzkeller Frankfurt Team, Musikmesse, Waichiro Tachikawa Suzuki Hammond, Michael Maier Falkenstein Hammond Deutschland, Video Camera by Jennifer http://www.jonhammondband.com
Youtube 2007 https://youtu.be/1TAoknIIXPE
TONY LAKATOS Feature: “Besame Mucho” with JON HAMMOND
Photos & Video Copyright ©JHINTL JON HAMMOND INTERNATIONAL
JON HAMMOND Band returns to JAZZKELLER FRANKFURT featuring Hungarian Tenor Sax Star TONY LAKATOS on the romantic song “Besame Mucho” with HEINZ LICHIUS-drums, JOE BERGER-guitar and JON HAMMOND on new XK-1 Hammond Organ at annual “Musikmesse Warm Up Party” 2007. *Special Thanks: EUGEN HAHN Jazzkeller Frankfurt – Tony’s site: http://www.tonylakatos.com Jon’s radio show on KYOU Radio: http://www.HammondCast.com c)2007
Producer Jon Hammond
In Memoriam: Folks,
I had the honor of playing just before Keith Emerson on the program Sound Soul Summit 2014 on the occasion of the First Hammond Hall of Fame Induction at Winter NAMM Anaheim California – this film takes place first at a special gathering upstairs in the Hilton Hotel with announcements by Stephen Fortner from Keyboard magazine, Keith speaks accepting the honor and pays tribute to Brother Jack McDuff a great inspiration to his playing and music, produces Jack’s actual hat – Plaque is awarded to Mr. Shuji Suzuki honoring 80th Anniversary of Hammond – all the Hammond Suzuki USA Team are there, Gregg Gregory Gronowski, Scott May and Suzuki Musical Instruments Team, Mr. Terada, Koei Tanaka, Mr. Ohtaka and company from Hamamatsu Japan – then downstairs for the live program for a packed house in the Hilton Lobby – thanks for watching & listening, thank you for your great life and work on the Hammond and Rock History KEITH EMERSON! Sincerely, Jon Hammond
Keith’s wiki https://en.wikipedia.org/wiki/Keith_Emerson #KeithEmerson Keith Noel Emerson (2 November 1944 – 11 March 2016)
**In 2014, Emerson was inducted into the Hammond Hall of Fame by the Hammond Organ Company. – at The NAMM Show
Published August 12, 2016
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Keith Emerson, Hammond Organ, Emerson Lake & Palmer, The Nice, NAMM Show, Hammond Hall of Fame, Suzuki Musical Instruments, Jon Hammond, Moog Synthesizers, #HammondOrgan
Keith Emerson with Brother Jack McDuff’s actual hat (aka Captain Jack McDuff) hat worn by the organist – Jon Hammond
Keith Emerson onstage at the New Hammond B3 organ – Jon Hammond
Jon Hammond onstage at the New Hammond B3 organ just prior to Keith Emerson’s set
Group shot Hammond Sound Soul Summit – Hilton Hotel The NAMM Show 2014 – Jon Hammond
Keith Emerson NAMM Movie by Jon Hammond
from Jon Hammond13 hours ago
In 2014, Emerson was inducted into the Hammond Hall of Fame by the Hammond Organ Company.
Producer Jon Hammond
Jon’s archive https://archive.org/details/HeadPhoneHiltonHotel
Enhanced Audio – NAMM Show Special: Jon Hammond Band plays Jon’s funk composition “Head Phone” at the Anaheim Hilton Hotel with Bernard Purdie drums, Koei Tanaka chromatic harmonica, Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond at the Hammond B3 http://www.HammondCast.com ©JON HAMMOND International
Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA
by Holda Paoletti-kampl
Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt
Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse
Accordion Radio News http://accordionradio.com/news.html
Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA
by Holda Paoletti-Kampl
Jon Hammond’s Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.
The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).
Jon Hammond wrote:
“Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ – both Joe and myself are officially from New York City, although I am also in California a lot – I’m still a New Yorker!
There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.
Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.
Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded.”
AFM Local 6 Member Profile JON HAMMOND: “WHERE’S THE GIG?” — by ALEX WALSH
Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.
THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”
“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”
Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”
In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”
Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”
Jon in the early 70s
Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”
When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”
In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.
The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.
Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond
n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”
Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”
In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”
Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”
Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.
In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”
Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.
Joe Lamond President CEO of NAMM presents special plaque to Mr. Shuji Suzuki President Suzuki Musical Instruments makers of Hammond Organs and Leslie Speaker in honor of 80th year of Hammond Organs and Keith Emerson speaking just before we went down to the stage – Jon Hammond
Attribution-Noncommercial-No Derivative Works 3.0
NAMM Show, Late Rent, Theme Song, Jon Hammond Band, B3 Organ, Hammond Organ Company, Suzuki Musical Instruments, JON HAMMOND International, ASCAP Composer, Jon Hammond Show, Cable Access
Jon Hammond Band very special performance on first ever Hammond night in Hilton Hotel Lobby Winter NAMM Show “Sound Soul Summit”
Jon Hammond Show theme song “Late Rent” with Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood), Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond New B-3 Portable organ Sound mix by Denny Mack http://www.namm.org/thenammshow/2014/concerts-performances/jon-hammond-band The NAMM Show spcl. thanks Hammond Suzuki Musical Instruments, Photos by Lawrence Gay
Alex Budman ts
Joe Berger g
Donny Baldwin d
Jon Hammond o
Full High Def Youtube http://youtu.be/7TApELTO1XI
“Head Phone” Composed by Jon Hammond ©JON HAMMOND International ASCAP – from Jon Hammond’s album “Late Rent” Ham-Berger-Friz Records
“Head Phone” – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon’s Band Featuring Bernard “Pretty” Purdie, Alex Budman, Joe Berger, Koei Tanaka, Jon Hammond Organ Group — also with appearances by Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA – Front of House / FOH Mix by Brian English – Denny Mack Audio – announcement – Stephen Fortner – Editor Keyboard Magazine Jon Hammond Organ Group *Note: “Head Phone” composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon’s album Late Rent in year of 1989 – Big Special Thanks to Jay Dittamo for standin’ in the cuff for Bernard, thanks Jay! special thanks to Scott May and Gregg Gregory Gronowski – Hammond Suzuki Musical Instruments Team Mr. M. Terada, Shuji Suzuki, Yu Beniya, Shigeyuki Ohtaka, Jeff Guilford JJ Guitars UK — with Joe Berger, Alex Budman, Stephen Fortner, Jay Dittamo, Bernard Purdie, Denny Mack and Koei Tanaka at Hilton Anaheim
Bandstand photograph of Bernard Purdie by Jon Hammond just before hitting ©JON HAMMOND International
©Copyright Notice: These Photos of Jon Hammond Band are copyrighted and embedded with i.d. information – Photographer Lawrence Gay and Jon Hammond Band must be credited and linked back if shared or used or you will certainly hear from us – enjoy, from The Winter NAMM Show http://www.jonhammondband.com/
Jon Hammond Band, Play the Shit, #Musikmesse #NAMMShow #jazzkeller #Lakatos #HammondOrgan